VY1 and VY2

For a chance of pace I’ve decided to use the blog more often for things not strictly related to new releases, so in the interest of this month’s VY Day I decided to talk about VY1 and 2 for a bit.

To be honest, as far as Vocaloid is concerned, under most circumstances I’m hesitant to talk too deeply about “my version of ________”…although I do have my own personal mental images, I don’t take those images into account when making music and I’m afraid of getting it conflated with it. In general, I’d prefer it if people interpreted my music the way they wanted to without taking my personal preferences into account. However, in regards to the VYs, since they don’t have any official characters to begin with, I figured it’d probably be better to conversely describe the way I portray them in a little more detail.

Of course, if you don’t want to see it that way, I’m perfectly fine with that as well ( ´ ▽ ` ) I just thought it would be fun. For this purpose, I decided to redraw some concept sheets I drew around this time last year. (Please mind the dust as I still have a long way to go in terms of artistic skill…)

I based my designs for VY1 and 2 off the concept of spirits (or tsukumogami, if you will) whose “real form” are the objects depicted on the boxart — as a result, I wanted to make the character designs look like the objects themselves taking human shape.

A concept for VY1V4. It might be a little difficult to tell with my drawing style, but she’s intended to have the appearance of an adult in her 20s.

Actually, if you look closely, I think this kind of hairstyle would be quite impractical in real life, haha…The impression I had of V4’s boxart was that it was a fusion of traditional and modern elements, so I wanted to give off that image as well. Since it seemed impractical to reflect the kanzashi in exactly the same way it appears on the boxart, the one she’s wearing is a fairly simple one, but as you can see there’s a bit of an aura coming from it.

The glasses are merely my own preference — I initially drew her without them, but once I put them on her I couldn’t take them off…( ´ ▽ ` ) Incidentally, I don’t think tsukumogami would need glasses in the first place, so they’re probably fake…

VY2V3’s design is comparatively simpler than VY1V4’s, but as much as I considered modifying it multiple times I never found myself to be satisfied with anything more complex. Now, if VY2V4 were to be a thi

The overall concept is not too different from VY1’s, athough I’m not very good at drawing men _(:3」∠)_

This is just a fun little thing to think about, but when I put these two next to each other I can’t help but imagine a sort of loose cannon and straight-man pair…VY1 has a very strong and bright voice that sometimes has a bit of a petulant quality to it (especially in V4), while VY2 sounds a lot more grounded…but that’s just in my head, of course. ( ´ ▽ ` )

It’s a somewhat tangentially related topic, but there’s something I wanted to address sooner or later…

VY1 and 2 were my first Vocaloids, and because of that they hold a very special place in my heart, but lately I haven’t been able to use them as much as I want to…in 2014 or so I became too uncomfortable with writing lyrics in Japanese due to my lack of skill with the language, meaning that I could only use them for songs written in conlang. Lately I’ve been trying to improve at it, so I started experimenting with writing again, using MEIKO and KAITO in case I ended up unsatisfied and needing to switch back to English.

In any case, from now on I really would like to use them more often, so as the time and opportunity allows I’m going to do my best.

Posted in Reference, VOCALOID.

Leave a Reply

Your email address will not be published. Required fields are marked *